Natalie Mering, the person who becomes Weyes Blood, has been fascinating me since 2013's The Outside Room
. Her next record, 2014's The Innocents
, was a Download of the Week
and I was very fortunate to see her perform up close and personal that same year at SXSW. Front Row Seat To Earth
, her new album released today on Mexican Summer, sounds more mature, more other worldly, more Mering-like, more beautiful.