LATEST ADDITIONS

Ken Micallef  |  May 18, 2024  |  1 comments
Zeiler Audio’s Ralf Zeiler took a stellar rig to AXPONA. I was very curious to hear his room at High End Munich.
Ken Micallef  |  May 18, 2024  |  0 comments
Gryphon Audio supercharged HIGH END Munich 2024, Atrium 4.1, Room E120, presenting the world premieres of three products: Gryphon’s Apollo Supreme Reference Turntable with Apollo 12.1" DLC Tonearm, and new Black Diamond DLC Supreme Reference MC Cartridge with DLC ("Diamond-Like Carbon) coating ($149,800 total including cartridge).
Ken Micallef  |  May 17, 2024  |  1 comments
The electronics of Borg.Audio’s Christian Gunther look like they're straight off the bridge of the Starship Enterprise. With their retro-futuristic visual style, you’re bound to either love or hate them. Though I didn’t hear them at Gunther’s static display, I’m already in the first camp.
Ken Micallef  |  May 17, 2024  |  0 comments
Big components need a big room and a big man to explain it. Nick Döhmann talked turkey and then some regarding his new Döhmann Helix One Mk3 turntable ($70,000) with a new 10.5” Supatrac Nighthawk tonearm (£12,500), and Air Tight Opus 1 cartridge.
Julie Mullins  |  May 17, 2024  |  3 comments
Over a long career, thinker and audio designer Barry Thornton has carved his own paths and formed his own opinions, broad views about how the universe works and how one thing connects to another. He applies scientific principles broadly, too: From action comes reaction, though it may not always be predictable. "Do something, and everything else starts to occur," he said of his endeavors. Longtime readers and seasoned audiophiles will recognize Quintessence Audio Group, a maker of hi-fi electronics in the 1970s and '80s. Thornton founded the company and served as its main designer. He has worked with companies including SAE (where he became Chief Engineer), ESS, Parasound, and Monster Cable. His journey eventually led him to Austin, Texas, where he recently founded Austin AudioWorks.
Ken Micallef  |  May 16, 2024  |  0 comments
“Dear Ken,” wrote Thuono Audio’s Eleonora Bonollo, “you are welcome to come to our stand in Halle 2 n. G05, where I can show you our turntables and tonearms.”
Ken Micallef  |  May 16, 2024  |  1 comments
Jeff Joseph pops up in all the fashionable places, and when he does—whether it's at Capital Audiofest, AXPONA, or here at High End Munich—his sound is always stellar. Today’s lineup was consistent with the pattern
Jim Austin  |  May 16, 2024  |  1 comments
One of my coolest radio-related experiences happened just a few months ago, when, churning through FM stations in my car, I encountered a country-inflected male voice singing "Fast Car," the Tracy Chapman song. Rolling Stone dubbed "Fast Car" the 168th best song of all time. It has audiophile cred because its simple sonics (predominantly voice and acoustic guitar) and good engineering made it an important test track, used, eg, by Harman for listening tests and by others for assessing compression artifacts in MP3s.
Sasha Matson  |  May 15, 2024  |  1 comments
Photo: D. Darr

Sasha Matson: Good morning from Cooperstown, home of baseball. Do you follow baseball?

Charles Lloyd: I played first base. I'm left-handed.

Matson: Does this new album, The Sky Will Still Be There Tomorrow, feel special to you?

Lloyd: It does indeed.

Sasha Matson  |  May 14, 2024  |  0 comments
Charles Lloyd: The Sky Will Still Be There Tomorrow
Lloyd, tenor & alto saxophone, bass & alto flute; Jason Moran, piano; Larry Grenadier, bass; Brian Blade, drums, percussion
Blue Note 00602458167962 (reviewed as 24/96 FLAC; available on CD, digital, LP). 2024. Dorothy Darr, Lloyd, Joe Harley, prods.; Dom Camardella, Kevin Gray, engs.
Performance *****
Sonics *****

The Sky Will Still Be There Tomorrow was released by Blue Note Records on March 15, 2024, which was Charles Lloyd's 86th birthday. It is Lloyd's 47th album as a leader—the first was Discovery!, on Columbia Records, in 1964—how about that! With a running time one minute over an hour and a half, pressed on two LPs, this album is a significant addition to Lloyd's era-traversing catalog. Of the album's 15 tracks, 13 are Charles Lloyd compositions, split between new pieces and new arrangements of older works.

Pages

X