Michael Lavorgna

Sort By: Post Date | Title | Publish Date
Michael Lavorgna Posted: Nov 21, 2014 0 comments
Sometimes I'm in playful mood and I want my music to match. Aphex Twin's latest Syro (Warp), his first album since 2001’s Drukqs, is about as seriously playful as they come. Richard D. James is a master of sounds both analog and eclectic and there's a palpable sense of sheer joy in the mix. Refreshing.
Michael Lavorgna Posted: Nov 20, 2014 12 comments
From an article in the NY Times:
In a radio interview on Friday, Scott Borchetta, chief of Ms. Swift’s record label, Big Machine, said that the label wanted to restrict access to her music to Spotify’s paid tier, but Spotify refused.
The issue at the center of this debate is free on-demand streaming of complete albums.
Filed under
Michael Lavorgna Posted: Nov 18, 2014 18 comments
photo credit: Taylor Swift/Rolling Stone

Spotify CEO Daniel Ek came out last week claiming the Spotify service was on track to pay Swift $6M over the next 12 months in fees. In response, Swift's label boss, Scott Borchetta claimed that actual US sales figures were just under $500k. So whose numbers are right?

Filed under
Michael Lavorgna Posted: Nov 18, 2014 12 comments
According to the Wall Street Journal, Sony is re-thinking "its support for free, advertiser-supported online music after U.S. pop star Taylor Swift pulled her music from Spotify, the popular digital streaming service."

Here's Kevin Kelleher, chief financial officer of Sony Music, from a Sony briefing for analysts and investors on Tuesday:

Filed under
Michael Lavorgna Posted: Nov 17, 2014 27 comments
As an official Pono Kickstarter backer, I'm [im]patiently awaiting my Patti Smith Artist Signature Series Pono Player which was promised for an October delivery. Well, it's no longer October and I am still Pono-less.
Michael Lavorgna Posted: Nov 14, 2014 0 comments
Madrigals. Ethereal and otherworldly. Natalie Mering has cleaned up her sound for The Innocents (Mexican Summer) her second full length album as Weyes Blood. Gone are the woozy layers of electronics and haze of The Outside Room and in their stead stands her lovely voice, loud and clear.
Filed under
Michael Lavorgna Posted: Nov 13, 2014 8 comments
Korg
Korg views their DS-DAC-100 and AudioGate 3 software as a single product, a team that delivers up to double rate DSD natively as well as PCM resolutions to 24/192. You can elect to have the Audiogate software upsample everything you play through it or leave it set for bit perfect playback. The DS-DAC-100 also doubles as a headphone amp with its front-mounted 3/4" jack and associated volume control and I find it's Cheshire Cat smile shape to be a nice change from the ordinary.
Filed under
Michael Lavorgna Posted: Nov 11, 2014 18 comments
Daniel Ek, Spotify's Co-Founder and CEO, responded to Taylor Swift today on Spotify's blog in a post titled "$2 Billion and Counting". $2 billion is, according to Ek, how much Spotify has paid out to "labels, publishers and collecting societies for distribution to songwriters and recording artists. A billion dollars from the time we started Spotify in 2008 to last year and another billion dollars since then." That's not chump change.
Filed under
Michael Lavorgna Posted: Nov 10, 2014 25 comments
photo credit: Reuters/Lucas Jackson
Here's Taylor Swift from an interview in Yahoo Music! on streaming:
"But all I can say is that music is changing so quickly, and the landscape of the music industry itself is changing so quickly, that everything new, like Spotify, all feels to me a bit like a grand experiment. And I'm not willing to contribute my life's work to an experiment that I don't feel fairly compensates the writers, producers, artists, and creators of this music. And I just don't agree with perpetuating the perception that music has no value and should be free." ~ Taylor Swift
Michael Lavorgna Posted: Nov 07, 2014 2 comments
Everything Liz Harris touches makes me listen. Whether its her solo work as Grouper or her collaborations with people like The Bug, I'm typically entranced. Her latest, Ruins (Kranky) is no exception although it is a departure from her typical sound in that its mainly Liz Harris and piano. No electronics, minimal overdubs, just some slow simple brooding melodies with the occasional background sound. Ruins is simply a beautiful record.

Pages

X
Enter your AudioStream username.
Enter the password that accompanies your username.
Loading