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Michael Lavorgna Posted: Mar 05, 2014 0 comments
With more and more people amassing terabytes-worth of file-based music libraries representing thousands of dollars invested, the issue of data security should also be on the rise. While the ideal solution is to have your main library stored on RAID arrayed HDD or NAS with at least one backup that lives off-site in the event of fire or flood or pestilence (OK I added that last one for effect), how many of us actually regularly back up our music libraries to an off-site copy?
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Michael Lavorgna Posted: Mar 04, 2014 12 comments
Do you feel refreshed? I do. Many thanks to Web Monkey Jon Iverson and the rest of the SORC team for what I think is a much cleaner, leaner look. I hope you like it, too.
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Michael Lavorgna Posted: Mar 03, 2014 2 comments
Music Served
What is a music server? A music server is a computer. These days what isn't? Our automobiles have computers in them but we don't call them computers, our phones are computers in this same sense but we don't call them computers, either. A music server is a purpose built computer whose purpose is storing and playing file-based music and the Aurender S10 is such a beast and without giving too much away, it serves its purpose splendidly.
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Michael Lavorgna Posted: Mar 03, 2014 21 comments
Thanks to reader Juergen R. for alerting me to what appears to be the fact that two of the tracks from Beck's wonderful Morning Phase included in the 24/96 download from HDtracks are sourced from MP3. Juergen commented in the original DotW post:
"Besides the high compression for this kind of music, where the bass drum kicks extremely often into hard limiting and the bass notes most times also, I have recognized, that for example the Track 10 and also Track 11 of the 24 Bit 96 kHz HighRes versions are 100 % for sure from 44k1 MP3. They show all the typical 44k1 MP3 artifacts of modulating a 16 kHz low pass filter with level. So we have 2 MP3 tracks sold as 24/96 HighRes. This 2 MP3 tracks are also valid in the other releases, not just the HighRes release, All other HighRes Tracks are based on 44k1 sources with the same DR and Bandwidth, as with the CD release."
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Michael Lavorgna Posted: Mar 03, 2014 3 comments
Thanks to Stephen Mejias for the heads up on Ektoplazm and their huge catalog of free music downloads. I'll let Ektoplazm provide the details:
Michael Lavorgna Posted: Feb 28, 2014 14 comments
Popular music and the album. Two concepts that may have seen better days, at least if we try to connect to popular music that isn't from our youth. Perpetually renewed while we go about getting older, popular music can be hard to keep hold of over time. Beck's new album Morning Phase (Capitol) is a true album's worth of pop tunes that flow seamlessly from one to the next. At once emblematic and earthy, Morning Phase unfolds to reveal a slow growing intensity while remaining so easy to love it feels as if we've known each other for years.
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Michael Lavorgna Posted: Feb 26, 2014 18 comments
PS Audio has just announced a new product - the DirectStream DAC ($5,995). In essence, the DirectStream DAC converts all incoming data including PCM to 1-bit DSD using their own code implemented in a Spartan VI FPGA. Chips need not apply. Of course PS Audio claims that this conversion to DSD improves the resultant sound quality of everything that passes through it, especially PCM. According to PS Audio:
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Michael Lavorgna Posted: Feb 25, 2014 5 comments
The QB-9 Upgrade
Ayre's original 24/96-capable QB-9 DAC caused quite a stir when it hit the market back in 2009 winning Stereophile's Product of the Year award. Wes Phillips of Stereophile sang its praises (see review) then, and Art Dudley followed up by adding his own thoughts to the upgraded 24/192 version in 2011 (see review). While that upgrade did not merit a name change, the new QB-9 DSD did with the addition of single rate DSD play back (DSD 128 capability and 24/384 are in the works). As is Ayre's way, owners of older 24/192-capable QB-9s can have theirs upgraded to DSD status for $500. But that's not the entire story. During the upgrade re-engineering phase, Charles Hansen, Ayre's founder and Designer, also made some changes to the QB-9 DSD that affects the sound of PCM playback and I sure am happy he did.
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Michael Lavorgna Posted: Feb 24, 2014 1 comments
I know we've talked about NPR's First Listen before but the current selection strikes me as being particularly fertile.
Michael Lavorgna Posted: Feb 21, 2014 4 comments
"Stately, plump Buck Mulligan..." Some things are easier than others which makes some things more difficult than others. That's in no way a value judgement, it just is the way it is. Conquistador!, Cecily Taylor's second classic record on Blue Note, Unit Structures being the first, recorded in October 1966 (19 freakin' sixty six) may initially sound like music that's not very easy especially if we look at the top of the charts from that same year which included "Last Train to Clarksville" by The Monkees and "Born Free" by Roger Williams. I first listened to Conquistador! many years after its initial release, coming to it from trumpeter Bill Dixon's music who is part of Cecil Taylor's sextet here. In this context, Conquistador! is positively generous, with plenty of repeated themes to hold onto amid all of the beautiful clatter.


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