Megaupload Down And Out?

On January 19, 2012 the U.S. Justice Department seized about $50 million is assets of file sharing services company Megaupload and shut down all of the websites under the Megaupload corporate umbrella. 18 domain names were seized including Megavideo, Megalive, Megapix, Megabox, and CUM.com (formerly Megaporn, Megarotic, and Sexuploader). Megaupload is accused of copyright infringement and conspiracy and more and the accused face up to 20 years in prison. The prime suspect in the case is one Kim Dotcom (born Kim Schmitz) who founded Megaupload and who appears to live a larger than life lifestyle.


Kim Dotcom, an easy target?

From the United States of America V. Kim Dotcom, et al.:

Since at least September 2005, Megaupload.com has been used by the defendants and other members and associates of the Mega Conspiracy to willfully reproduce and distribute many millions of infringing copies of copyrighted works, including motion pictures, television programs, musical recordings, electronic books, images, video games, and other computer software.
Coming just a day after widespread protests against the SOPA and PIPA bills that deal with illegal file sharing and copyright infringement, this display of global reach and power by the U.S. Justice Department makes one wonder if we actually need them.

Here's CNET's Molly Wood with her theory for the reasons behind this strange timing:

My sources tell me the timing of the Megaupload arrests was no accident. The federal government, they say, was spoiling for a fight after the apparent defeat of SOPA/PIPA and not a little humiliation at the hands of the Web. And what better way to bolster the cause for cyber-crackdown than by pointing to a massive display of cyber-terrorism at the hands of everyone's favorite Internet boogeyman: Anonymous?

Kim Dotcom's house in Coatesville, New Zealand

In retaliation, the group Anonymous claims responsibility for taking down a number of government and related media company sites including justice.gov, universalmusic.com, riaa.org, mpaa.org, copyright.gov, hadopi.fr, wmg.com, usdoj.gov, bmi.com, fbi.gov, Anti-piracy.be/nl/, ChrisDodd.com, Vivendi.fr, and Whitehouse.gov.

It should be noted that Megaupload had many legitimate users who are now blocked from accessing their data and some of them, Premium Subscribers, paid for this service. Sites like Google and The Internet Archive have removed their cached and mirrored copies of the Megaupload sites to avoid similar legal action.

While the issue of illegal file sharing and copyright infringement are legitimate concerns and the pending case against Megaupload may serve to untangle some of the ambiguity involved, I can't help imagining what this issue would look like in the physical world. Imagine you've stored some of your extra stuff in one of those public storage facilities. One day you show up to get it but you can't because the U.S. Justice Department has shut it down and seized its assets because some of the people using the same facility were trafficking in stolen movies and music.

You'd have to wonder why your legitimate stuff was also locked down and I would suggest one very likely reason would be the inability (or indifference toward) separating legitimate customers from offending ones. Is this incompetence? Or a result of the difficulty in dealing with virtual stuff? And what about the actual offending parties, i.e. the people who uploaded and shared the alleged illegal content? Will they also be pursued and prosecuted? Or are Megaupload and Kim Dotcom the equivalent of the drug kingpin where shutting them down will in theory shut down the illicit behavior? Or will people just move to some other site with their virtual wares?

This case raises many interesting questions and I'll be curious to see how and how long it takes to shake out.

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Comments
jazzfan's picture
The Mole

Once again the media companies along with the US Justice Dept. are using the whack-a-mole in dealing with the ongoing problem of digital piracy.

Here's a little free insight for these morons:

Name the one organization that has prospered the most from digital media while almost all others have lost?

APPLE

Why and how has Apple prospered? Because Steve Jobs understood that digital content is worthless but easy and legal access to digital content is worth something. And based on the success of the various iStores I would say that that something is millions of dollars.

Time for a new business model.

On a related note, where are all the tears for Kodak? Kodak is gone because digital photography wiped out the print film industray but yet I do not see the DOJ arresting people with digital cameras.

Michael Lavorgna's picture
I find that people are generally more willing to listen

When you don't call them morons. But I agree, time for a new business model.

Policing digital content online is a fool’s errand.

deckeda's picture
Domino effect

Fileserve and Filesonic, also Hong Kong-based, have voluntarily ceased file sharing --- apparently fearing similar retaliation. Users can still access their own uploads.

The music industry still says it needs more governmental help, despite a strong year: http://arstechnica.com/tech-policy/news/2012/01/after-terrific-year-musi...

I wish I knew what the answer was.

Michael Lavorgna's picture
It appears as if the answer

For the music industry is to force others, search engines, cellphone companies, etc, to do their policing for them.

Google as digital police force for private industry. Hmm. Why don't I feel better?

jazzfan's picture
Google doesn't want the job

Michael,

Google does not want to do the media industry's police work for them and I do not want my tax dollars being spent on the DOJ doing the police work for the media industry either.

There is direct and strong correlation between user friendliness and security when it comes to digital media, whether that media is music, video or software. The more secure the less user friendly. Unfortunately for the media industry the piracy battle was over before it even began when the user friendliness path was taken instead of the security path.

Add in the fact that digital content can be easily copied and widely and cheaply distributed and the whole "Policing digital content online" really does become "a fool’s errand."

Speaking of new business models, I can think at least two business models that are currently in use by non-content providers which are making money in spite of online piracy and which the media companies (the content providers) could have easily adopted. The first one I already mentioned in my first post, that being Apple and various iStores and the other one is Netflix with their highly successful streaming service.

So, no Michael even though "people are generally more willing to listen when you don't call them morons", these people truly are morons.

Michael Lavorgna's picture
The article that deckeda linked to (excellent and thanks btw)

Contains a link to “Digital Music Report 2012” from the IFPI (International Federation of the Phonographic Industry). Here’s an interesting bit:

Digital music revenues to record companies grew by 8 per cent globally in 2011 to an estimated US$5.2 billion. This compares to growth of 5 per cent in 2010 and represents the first time the year-on-year growth rate has increased since IFPI started measuring digital revenues in 2004. Digital channels now account for an estimated 32 per cent of record company revenues globally, up from 29 per cent in 2010.

8% growth these days is better than good so something appears to be working.

The Ars Technica article by Nate Anderson goes on to point out:

The percentage of US Internet users making use of "infringing P2P services" fell from 16 percent in 2007 to just 9 in 2010. How was this miracle possible? It wasn't thanks to search engine "prioritisation," SOPA, site blocking, or even graduated response—none of which exist in the US.

jazzfan's picture
Great Job!

Michael,

I don't where else to put this but I just wanted to say that you are doing a great job with the Audiostream site. You appear to be a no nonsense kind of guy, one who doesn't easily fall for high end mumbo-jumbo, especially all the misinformation which is being tossed around with respect to computer based digital audio. Case in point the four part "Computer Music" series still ongoing in TAS. Pure rubbish and not something one is likely to encounter on this site.

I will place a post on the Stereophile forums alerting the members that the Audiostream site is well worth a visit.

Thanks and keep up the great work!

Michael Lavorgna's picture
Thanks jazzfan

Cheers.

Hi-Fi Guy's picture
Music media

Hi,

As a professional musician and career high-end audio guy, I take a wide-angle view of things.  So... when CD came out, yes, it was fraught with problems obscuring its' potential.

By the mid-late 90s', CD matured, the complaint rate fell way down, etc.. The only real hangup is the jewelbox. A CD carefully executed from recording to mastering to transfering can in fact sound very, very good.(I've personally produced audiophile LPs too .We certainly frequently discussed pressing variability and other topics throughout the LP era, so what else is new?) SACD even better, master tape quality now possible at home ,BINGO!!

The problematic nature of MP-3 can be made clear by realizing that MP-3 makes even early CD sound great. This shows how far back we have gone.

As well, the acknowledged health and wellness benefits that "just listening" through a proper playback system confer DO NOT ACCRUE w/ I-podMP-3. Your brain is forced to do too much processing and work compared to the ease of listening and emotional access provided by clean playback. If folks want to be in the best state of mental and physical health, the quality of playback matters bigtime. Thank You.

Pablo's picture
I truely believe this was the

Since the appearance of the tapes that they tried to ban copys of them because would destroy the industry and then came the mp3 player which would do the same  etc...

I truely believe this was the real reason behind all this http://www.forbes.com/sites/davidthier/2012/01/24/is-this-the-real-reaso...

 

Artists selling their music directly to consumers keeping 90% of the money through a website that has millions visits every day ? "Well that can't happen".

Coincidence ? Don't think so

Michael Lavorgna's picture
I'm not so sure I can go all the way there

Especially seeing how plain stupid some of the people working at Megaupload were about blatantly talking about helping users find and distribute plainly obvious pirated ‘goods’.

Here’s another take on the same subject – “Why the feds smashed Megaupload

Check out the quote from the letter Megaupload CEO Kim Dotcom sent to PayPal ratting out competitors “that are known to pay up loaders for pirated content”. Hmm. Just like Megaupload did and talked about in internal emails.

There are certainly plenty of sites that offer artists direct music (artistdirect.com, www.bandcamp.com, indietorrent.org...). If anything I'd say putting a premature halt to Megakey was icing on the cake.

Pablo's picture
If

The allegations are true that was really dumb on their part but I still think it was a big reason for the rush.