A Grand Integrated
400 watts per channel into 8 ohms of Class D B&O ICEpower® and 650 watts into 4 ohms. Add a galvanically-isolated Asynchronous USB DAC capable of handling up to 24-bit/192kHz data, a preamp with optional tube buffer, a bunch more digital and analog inputs and analog outputs including a headphone amp, wrap it all up in a very solid aluminum chassis and you have yourself one honey of a package. Just add music and you can drive even unreasonable speaker loads into gut-wrenching musical glory.
I have a bunch of confessions to make the first being I used to frown on docks in amps. I viewed them as a blemish on the face of serious listening, an affront to our finer sensibilities. This impulse to look at things that make life easier with scorn (screw caps, auto-focus, stretch-waist jeans [actually, they deserve our scorn]) as we age is something we need to fight with all the force our gray hairs and beer bellies (I'm not saying you have one but I know I do) can muster. Listening to music is supposed to be fun, dammit!
I'll start by saying I've been a fan of 47 Labs designs from the first time I saw and heard the 4706 Gaincard and 4713 Flatfish. It helped that Herb Reichert wrote about the 47 Labs Gaincard (Listener, volume 5, number 2 Spring 1999) since he was a favorite writer on Hi-Fi and someone I felt I could relate to in ways that included non-Hi-Fi stuff (now that I've had an opportunity to meet Herb on a few occasions, I discovered I was righter than I knew). If a minimal design aesthetic appeals to you in a general sense, i.e. you enjoy the work of Ray and Charles Eames, Donald Judd, Ad Reinhardt, the Bauhaus, etc., then the design approach of Juni Kimura should tickle a similar fancy. Juni Kimura's quote, "Only the simplest can accomodate the most complex" adorns the 47 Labs US Distributor's home page.